"If I had a hammer..."
By
John Clements
ARMA Director
“The sword is the most
noble of all arms, and is used by knights, by learned men, and by the
skilled fighters; whence they make nature marvel that, with a piece of
steel, a man may defend his person from any blow which might be aimed at
him, either with the point or the edge…” - Master Guissepe
Pallavincini, 1670
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In my work as a professional swordsman and researcher of historical combat
there is one question I am asked more than any other: “Why are there so
many different swords?” Swords were produced to meet different needs and
functions. It's a synergy of both material and design. The simplest answer
then, is that it’s for the same reason why there are so many different kinds
of firearms or cars... or hammers.
Here’s
a good way of understanding how material and design affect the function
of a sword: consider a simple hammer. There are all kinds of different hammers.
Each type is specialized for either a general need or a particular task.
Just as you can take any type of hammer and attempt to use it as any other
kind of hammer, you can certainly do the same with different kinds of swords.
Even though one kind is not going to perform effectively at a job that it’s
not optimally designed for, you can still try to employ it in whatever way
circumstances necessitate. But the best results will always occur when a
tool is employed in the manner best suited to whatever work it was intentionally
created for. After all, a sledgehammer is not used like a ball-peen hammer
and a rubber mallet is obviously not employed in the same way as a geologist’s
hammer or stonemason’s or a brass-tack hammer. In this same way, a carpenter’s
hammer is not used like a blacksmith’s hammer.
In any case though, a hammer (just like a sword) will be devised for the
type of target material it will be striking and the kind of impacts it will
be making. Logically, you're going to want a balanced and sturdy design
that has an appropriate weight, reasonable size, suitable shaft and grip,
and a striking portion that achieves acceptable results with the least effort.
When
you want a tool to drive a nail, you can optimally design it for the type
of nails you’ll be hammering into what kind of material. Naturally, there’s
going to be a lot of different factors involved.
Not the least of these is “hammering” itself. A master carpenter or skilled
builder can easily drive a nail straight in with one precise hit compared
to the multiple attempts necessary by someone less experienced. It’s a readily
self-evident thing to witness. This means that a good hammer can perform
quite differently in different hands. Yet no hammer is deliberately made
for amateur or inept hammerers.
The material you make a hammer out of is certainly going to have a huge
effect on what it can do as well. One material or another will be more durable
and lighter and have a better effect on whatever you’re striking. A stone
hammer is hardly as effective as a metal one and a wooden one generally
far less useful than an iron one. Plus, when making a hammer, some material
might be harder to work with yet not be of much advantage. (No one bothers
to make a gold or titanium hammer, for instance, when high-carbon steel
will do nicely with much lower cost and labor.)
All this is essentially the attitude we can take
when thinking about swords. We don't just examine a sword from a "materials
point of view" by only looking at its forging and metallurgy without also
taking into consideration its design elements and overall geometry. Even
then, you must consider above all else its performance characteristics—the
attributes affecting its utility as a pragmatic tool. After all, an expert
carpenter is going to have an opinion on what makes a good construction
hammer that is likely quite different from the ideas of a complete novice.
The expert user might ask for a heavier hammer with a smaller head and longer
shaft while a beginner might require a shorter, lighter one with a larger
head. It all depends on their ability combined with the intended purpose
of their hammer. The expert will evaluate a hammer very differently than
will an amateur. To a large degree it's the same with swords.
Today,
whatever their variety, hammers are essentially functional tools. Unlike
with swords in the modern world, we don't really have a need for "costume
hammers" or "prop hammers" or even safe "training hammers." We don't really
have "hammer craftsmen" or "hammer artisans" more interested in using exotic
materials they can decorate in order to display their artistic talents.
We also don't have hammer manufacturers interested in producing inexpensive
“hammer-like” objects that look good hanging on a wall or for use only when
"going through the motions" of hammering.
To carry the whole hammer analogy further, if you are making a hammer for
someone to, more or less, pretend they’re hammering make-believe nails,
then it's not necessarily an object made in the manner of the original.
It might be something that resembles a historical hammer in appearance and
can pass for a real hammer on stage and film or some virtual setting. But
concern for actually performing like a certain type of real hammer is just
not going to be a crucial parameter of its design. Similarly, if you are
making a hammer not intended so much for actual hammering but to display
an expertise in working metal by hand to bring out aesthetic patterns and
pleasing designs; to show off a capacity to temper it in different ways
or artistically craft a beautiful handle; well then, that's making a different
kind of “hammer” altogether. And if the hammer-maker themselves has no particular
skill in earnestly wielding the tool, well, that should certainly be a concern
for how authentic their models could possibly be. This then is the case
with swords today.
While
historical sword-smiths did do all manner of artistic and technological
things to actual fighting blades, that was not the reason for making a sword.
Producing a good fighting weapon was the reason. Today then, if you want
to understand how expert historical hammerers used fine hammers and became
good at their “art of hammering,” then obviously you're going to want to
study with the most accurate reproduction of an original specimen that you
can get. If you are going to want to gain an appreciation for the skill
of hammering with a fine hammer, you will want something that approximates
and represents what kinds of hammers were proven to have worked. You are
going to want to have one that is sturdy, well-balanced, reliable, affordable,
and patterned on real world versions. You will want to understand the genuine
techniques and real effects of those hammers on their intended targets.
This is true whether or not you will ever actually "hammer real nails into
real wood." A good sword then, like a good hammer, should look, feel, and
perform as closely as possible to the real thing. That's no easy achievement.
But fortunately, among a few at least, it can and is being done once more.
See also: Swordsmen and Swordsmiths
5-2021 A version of this piece originally appeared in 2015 on the Museum Replicas Limited Blog, Thinking About Swords
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