Postby Casper Bradak » Fri Dec 16, 2005 12:37 pm
Simplicity of art can't be a factor. Any artist could tell you that a gauntlet would be easier to draw than a hand.
Cost can't be a factor. They're wearing full harness, and they're not exactly commoners.
Artistic liscense is not a factor in my opinion, and is extremely unlikely in either case (why?). Some plates from Master Talhoffer's book show a rondel disk gauntlet, worn so that it won't impede the dexterity of the hands.
In a one on one combat in particular, where you will be casting spears and swords, quickly switching your grips among them, quickly snatching for your sheathed dagger to dextrously thrust it into small areas, gain holds on your opponent (much tougher in armour with gauntlets on), perhaps pry open his visor, gauntlets are best done without.
It's probably likely you'll get your hands bumped, bruised, and a little cut, but you shouldn't have to take a direct hit on them in harness any more than you would without.
I, for one, am not afraid of causing any grievous harm to my own hands.
One thing that could've had some influence on this, is that during the time that most of our manuals originate, fingered gauntlets were apparently an unfashionable minority, and the more contemporary, though more protective mitten gauntlets most people used were too hindering to the above uses. If 14th century small plated, fingered and lamellar gauntlets were more common, perhaps we would've seen those in the manuals instead of the participants doing without.