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The
world's foremost practitioner
of authentic Chivalric Arts of Defense
*Private
Training Program
Workshops and full ARMA
Seminars available:
Contact us with requests and information on fee and travel schedule. Presentation and
lecture requests are welcome. Private lessons also available.
Special arrangements possible for video, motion-capture, and CGI
modeling.
Advisory
& Consultancy Services:
John Clements provides a range of consulting services and special
information on the culture and history of Medieval and Renaissance
martial arts, arms & armor, swordplay, and historical
close combat. Previous project involvement includes working with: The
History Channel, Fox Television, Six Flags Houston, and major computer
and board game producers Blizzard & NCSoft. To improve the
historical accuracy and martial validity of your endeavor, send an e-mail inquiry.
All fees are by negotiation.

Ask about the Renaissance Martial Arts Lecture Series, Homeschooling
Program, & Corporate Outings.
"What we demonstrate in a presentation is a
reconstructed exhibition of authentic European martial arts skills
delivered not for amusing performance or stunt display, but
education, cultural heritage, and self improvement." - John Clements
Email
the ARMA Director at: theARMA@comcast.net
Instructing in an unmatched historical curriculum

Examining historical specimens, Spain 2009
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Presenting on historical European fighting methods,
Portugal 2009 |

Teaching in Europe, 2009 |

Reconstructing historical techniques
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A leader in historical fencing studies
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Private & class instruction
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Lecture & Seminar Presentations
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Youth
Talks & Demos
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Consulting
for the
Sword Manufacturing Industry
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Museum
Presentations on Arms & Armor use (Kienbusch Collection,
Philadelphia 2007)
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Evaluating
& Testing
Historical Fencing Products
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Teaching
longsword fencing
in Athens, Greece 2004
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Renaissance swordplay seminar
on longsword in Haifa, Israel 2005
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Longsword
technique presentation
in Gaunajauto, Mexico, 2006.
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Seminar in Mexico City, 2007
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ARMA
Seminar
in Athens, Greece 2007
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Inspecting authentic pieces
at the Oakeshot Institute, 2007
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Examining antique blades |

Practicing in armor at
the Royal Armouries, Leeds UK
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Rapier practice in Europe
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Classroom Training
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Examining an antique rapier in Switzerland
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Training with antique blades
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Consultation with noted authority
Dr. S. Anglo
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Meeting with famed sword expert the late
Ewart Oakeshott
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Consulting with the late sword expert Hank Reinhardt
& swordmaker Paul Chen
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Test-cutting with sharp swords at the 2000 Renaissance Martial Arts
Expo Atlanta
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Workshop Demonstration in Canada
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Examining an original 1536 fencing
text by Achille Marozzo
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Lecturing & instructing in Germany
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Examining a great-sword of c. 1400 at the Royal Armouries, UK 2001
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Trying out an antique
two-handed sword from c. 1550
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Presentation at the Sarasota Medieval & Renaissance Studies
Conference 2002
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Lecturing at Texas A&M
University 2003
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Examining a 1000-year-old viking sword
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Examining
an original edition of Fiore dei Liberi's Flos Duellatorum
c.1410
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Demonstrating
cuts and thrusts on raw meat with an actual antique
16th century swept-hilt rapier
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Lecturing at New York University 2003
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Researching
an original 1553 edition
of Agrippa's famed fencing text
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Handling
authentic 16th century swords
in the Swedish Royal Arnory
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Consulting
with noted master swordsmith and researcher Peter Johnsson
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Hefting
a fine 16th century antique
ring-hilted rapier of the Swedish Royal Armory
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Exploring
the original 1410 Pierpont-Morgan
edition of the "Flos Duellatorum"
fighting manual by Fiore dei Liberi
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Researching swords in
Budapest, Hungary 2004
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Program
at West Point 2003 |

Presentation
Demo at Ashokan Sword 2000 |

Training
with an authentic 16th century bastard-sword - January 2008
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ARMA
Director
John Clements
“Every Art has this property of
being clear
to those trained in it,
so that thence comes this maxim,
‘Believe the man who is skilled in his art.”
- Anonymous
Parisian theologian, 1398
John
Clements is a leading authority on historical fencing and one of the
world’s foremost practitioner-instructors of Medieval and Renaissance
fighting methods. As a long-time Western martial artist who has been
studying historical fencing since 1980, John is the most prolific
writer on historical fencing active today. He has practiced European
cut-and-thrust swordsmanship and rapier fighting for more than
two-and-a-half decades, researched swords and arms in 13
countries
and taught classes
and seminars on the subject in 11 countries. Based
outside Atlanta, Georgia, he instructs nationwide and internationally
as well as (since summer 2005) from his one-of-a-kind private facility, Iron Door Studio.
John's
writings on swordsmanship and historical close-combat have appeared in eleven different published books since 2001. He
was a contributing author on close combat and fighting arts to Oxford
University Press’s, Encyclopedia
of Medieval Warfare and Military Technology (2010), a
major consultant for the youth title, Warrior VS Warrior
(Kingfisher 2010), and was senior editor and contributor on, Masters of Medieval and
Renaissance Martial Arts (Paladin Press, 2008). John was also
the writer and producer of the first of its kind web
documentary on Renaissance martial arts. He also appears in
and contributed to the new documentary feature film, Reclaiming the Blade.
He
also appeared in the documentary special featurette,
"Knights in Training," on the 2008 special edition DVD re-release of
the film First
Knight.
He
lectured on historical combat at the Origins gaming
convention '02 and has consulted on historical combat for the video
game industry.
Clements teaches,
lectures and writes on
historical European martial arts professionally and has authored
articles on swords and weapon fighting for magazines in 6 languages,
including: Military History, Renaissance
Magazine, Tactical Knives, Karate
International, Histoire' Medievale, Le
art de la Guerre, Master at Arms, The
Sword, Hop-Lite, Sword
Forum International, Rapio Journal, Pallasch,
and Dragon magazine. He was a contributor
on arms and combat to the archaeological anthology, Cutting
Edge (Tempus Pub. 2007), and the anthology,
Hundred Years War: A Wider Focus (Brill, 2005), as well as a
major contributor on historical fencing and editorial board member for
the new Martial Arts of the World encyclopedia from
ABC-CLIO Press (2001).
John has presented
historical fencing seminars and workshops
in more than two dozen cities across North America and Europe. He
has also presented demonstrations of Medieval and Renaissance martial
arts at the Royal Armouries in Leeds and the Wallace Collection Museum
in London, the Philadelphia Museum of Art, as well as exhibited at
Oxford University and the National Arms Museum in Hungary.
John
has been featured twice on The History Channel,
instructed cadets and officers in historical fencing at West Point, and
was a keynote presenter at the Sword 2000 event of
the New England Bladesmiths Guild, as well as the Schola St.
George Medieval Swordsmanship Symposium 2001 in San
Francisco. In 1982, he founded the Medieval Battling
Club, and in 1999 was the creator and a founding member of
the original Swordplay Symposium International.
He also presented at the 2001 Texas Medievalists Association annual
conference in San Antonio, the 2003 conference at the University of St.
Thomas, and the 13th Biennial New College
of South Florida conference on Medieval-Renaissance Studies 2002. He
has lectured for the History, Anthropology, and Military Science
departments at both Texas A&M and Texas A&M
International Universities.
He has presented on Medieval and Renaissance combatives to classes at
Brigham Young University, Rice University, and Furman
Universities.

Clements
is also a patron member of the Oakeshott
Institute,
has consulted for the US Army's unarmed combative systems program, and
has taught historical European martial arts to underprivileged kids at
a college-prepatory academy in Houston. Previously, in 1993 he taught
two semesters on swordsmanship at Western Nevada Community College, and
in the state of Texas is a Court certified Expert Witness in the area
of bladed combat. From 1997 to 2004 he
taught public classes and private lessons in Houston, Texas.
John is also the author
of the groundbreaking books Medieval
Swordsmanship: Illustrated Methods & Techniques
(Paladin Press, Nov ’98) and Renaissance
Swordsmanship: The Illustrated Use of Rapiers and Cut-and-Thrust Swords
(Paladin Press, March '97).

Currently
John trains in longsword, sword & buckler, sword &
dagger, spear, rapier & dagger, and is an ardent promoter
of weapon sparring and of test-cutting. In the past decade,
John has had the opportunity to practice with actual historical swords
and has handled more than 200 antique European blades from the 12th
to 17th centuries in private collections,
auction houses, and museum storerooms across five countries.
John is a member of the British Arms & Armor Society
and helped pioneer the realistic use of both historical wooden training
swords (wasters) and steel training swords (federschwerter). He
has long advocated a true martial arts approach within the modern study
of European fight literature.

In
September 1994, John took first place in the
Advance Weapon-Sparring competition of the US National's Kung Fu
tournament, in Orlando, Florida. He is a member of the Georgia
Association of Historians and was a feature presenter on Renaissance
swords at the 2006 Blade Show in Atlanta.
As
a professional writer-researcher and practitioner of historical
fencing, Clements has committed his life to a career in advancing and
promoting the study of Medieval and Renaissance combatives. He presently teaches and
researches on historical fencing full-time while working on book,
video, and consulting projects about the subject.
To quote ARMA
instructor John Clements: "As a historical fencer and Renaissance
martial artist, I can think of nothing more satisfying than to simply
declare, 'Yes,
I am a
swordsman.'"


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As
of June 2005, John Clements is also the owner and operator of Iron
Door studio,
the nation’s first and only historical fencing hall built as an actual
modern "school of arms" facility exclusively dedicated to the study and
practice of Renaissance Martial Arts.
As
head instructor of ARMA, Director Clements has always maintained a
cutting-edge curriculum with a holistic approach to the study and
interpretation of the historical teachings. Between 2006 and
2007, John began implementing a revolutionary new
understanding of Renaissance combatives. Following his new ideas on the
nature of the subject and the meaning of longsword teachings as
fundamental to the craft, he worked at presenting this program in three
countries as well as through private instruction at his Iron Door
Studio facility. In 2008 this new method --- emphasizing a
radical understanding of the value of motion, balance, leverage with
timing, and centered binding and striking --- became the de facto basis
of the ARMA’s core fighting curriculum.
See www.historicalfencing.com
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Email the ARMA Director at:
theARMA@comcast.net

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Read
some of John Clements' articles here:
Why
Are There So Many Kinds of Swords?
Top Myths of Renaissance
Martial Arts
What did Historical
Swords Weigh?
The
Sword & Buckler Tradition
Historical
Fencing Study
- The British Legacy
Martial Art or Combat Sport?
Pinder's Contest - 16th century
rural English Prizing
Peachey the Shoomaker's Challenge
The
Myth of Cutting vs. Thrusting Swords
Wasters -
The history of wooden swords
Intro to Historical
European Martial Arts
Renaissance Martial Arts Literature
Using
the “F" Word – The Role of Fitness in Historical Fencing
History
of the Pell
Questions
and Answers About the Rapier
The Weighty Issue of Two-Handed Great-swords
See some sample videos
below:

Longsword
technique practice at Iron Door Studio, 2009

Free-Play with Federschwerter
at Iron Door Studio, 2007

Practice
of unarmed disarming counters
against vertical cuts from a longsword (Jan 2008)
2006
test-cutting demonstration on bamboo
using a completely blunt bastard sword

An
ad hoc demonstration of some long-sword
counter-strikes & half-swording techniques. c.2003

John C.
demonstrates an
intermediate greatsword
florysh. 1.5 mb .mpg

John C.
performs two
displacements: one receiving the
blow on the flat in Hengen and one
striking on the other's flat with
the short edge. 1.3mb .mpv

Ely
rapier "duel", July 2000
6mb .mpv

Sword
& Buckler Florysh I
2mb

John performs a few well
placed edge blows on melons with
an antique arming sword, c.1999.
6MB
"There
are attributes and principles common to the martial arts all around the
world, core concepts that reflect the innermost essence of our being...
And
yet these central principles are not often understood. John Clements
has been able, by freediving into the depths of the European martial
tradition, through scholarship, persistence and sweat, to firmly grasp
an understanding of the martial arts uncommon to this decade. He is an
extraordinary martial artist and swordsman."
- Kostas Dervenis
The Pammachon System, www.pammachon.gr
"John
Clements a leading authority on Medieval and Renaissance Combat.
He has shaken the dust off of the real history of our
European
Combat Heritage and has brought it back to life accurately and
honestly, in all its brutal and elegant forms. Seeing John in
action is a testament to the effectiveness of the actual fighting
skills that these knights and nobles perfected and used in real life
and death combat."
- Ernest Emerson
Emerson Combat Systems, www.emersonknves.com
“John Clements is a very
knowledgeable and insightful martial artist. His research and methods,
particularly in the interface between fighting with weapons and
grappling, have been very helpful to the development of our program."
- Matt Larsen
Director, U.S. Army Combatives [martial arts] Program
Author FM 3-25.150
“I
have found John Clements' workshops on Medieval and Renaissance martial
arts in Houston
and on the Texas A&M campus to be both mentally and
physically challenging. I have been particularly impressed by
his desire to keep the practice of these arts "real," while
maintaining high safety standards."
- Tom Green
Associate Professor (Anthropology), Texas A&M University,
Editor and contributor, Martial Arts of the
World: An Encyclopedia, Veteran of more than 30 years
training, teaching, and research in the martial arts,
including capoeira, freestyle wrestling, and six styles of
Chinese and Japanese martial arts.
"I
thoroughly enjoyed and learned much from the ARMA seminar that I
participated in. I found John Clements to be very knowledgeable and
skilled in the use of realistic weaponry of medieval and renaissance Europe.
I look forward to training with John again soon."
- Rick Tucci
Founder of the world renowned Princeton
Academy of Martial Arts in Princeton,
New Jersey.
Member of the Board of Directors for the World
Eskrima Kali Arnis Federation (WEKAF), Guro in
Lameco Eskrima, Full instructor and third degree black belt in Doce
Pares Escrima.
“The ARMA training curriculum is just about as
solid as you can get. It's progress from simple drills to full speed
applications is the best I have seen. This is reality training at it's
best. John projects an intensity in his instruction that is hard to not
get caught up in. His energy and zeal are remarkable."
- Col. Dwight McLemoore, Ret.
Frontier Americana Martial Arts instructor &
author
"I
have found John Clements to be expert lecturer on subject of Western
Martial Arts. John possesses understanding of both framework of martial
arts in general, as well as minute details - and that combined with
his passion makes for very enjoyable seminars."
- Milan
Petracevic
Croatian national fencing team member, Alberta
provincial fencing champion, International fencing competitor &
multiple medal winner Western Canadian Fencing Championships.
"As a fight
director determined to bring as much historical authenticity as
possible to my work, I personally consider the ARMA organisation a
major resource for anyone interested in the history of European martial
arts…."I've no doubt that through his lifelong studies in the field of
historical swordsmanship, both academic and practical, John Clements
can lay claim to being a modern expert of Europe's Medieval and
Renaissance martial arts."
- Keith Ducklin
Combatant, Royal Armouries Interpretation Department, Leeds, UK,
Teacher Member, British Academy of Dramatic Combat, Co-author of Sword Fighting: a Manual for Actors and Directors.
“John
Clements is a superb martial artist and exemplifies this in his use of
the longsword…anyone who wants to explore Western martial skills should
take any possible opportunity to train with John Clements."
- Dale Seago
Bujinkan martial arts instructor and Western martial
arts researcher
"John
Clements is a pioneer, Western martial artist, eclectic
reconstructionist, and accomplished author. His unswerving
dedication to uncovering the Western martial arts is
unparalleled. This renaissance has given practitioners connection with
their heritage."
- Prof. Ronald A. Harris, Ph.D.
Edged weapons expert: Master, Original Filipino Tapado (Stickfighting)
Association, Bago City, Philippines; Master, Negros Occidental Arnis
Federation, Bacolod City, Philippines; 10th Degree Red Belt, Eskrima,
Doce Pares Club, Cebu City, Philippines; Lakan Guro, Pekiti Tirsia
System of Kali, Albuquerque, NM; Instructor, Muay Thai School of Saint
Louis, Missouri; 1st Degree Black Belt, Shotokan Karate, Vasquez
Martial Arts Center, Philippines; 3rd Degree Black Belt, Combat Judo,
Doce Pares Club, Cebu City, Philippines; 4th Degree Black Belt,
Taekwondo Jidokwan, Seoul.
“John
Clements and his associates at ARMA put on a wonderful demonstration
for a focused audience at the Philadelphia Museum of Art. His
researched lecture included fascinating illustrations of art and
history that helped illuminate the Museum’s collection and our
commitment to the artistry of martial objects. Of course the
highlight of the workshop was the fighting demonstration that allowed
the audience to experience first-hand a different—and equally important—artistry.
Many audience members expressed their enjoyment in seeing weapons in
action and the techniques and strategies of Renaissance martial combat.
All in all, John Clements presentation was excellent; it gave
new
life to the objects on view in our galleries.”
-- Adam Johnson, Staff Lecturer for Academic Affairs
Philadelphia Museum of Art, 2007



See also
the ARMA Deputy Director
Aaron Pynenberg here
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