Dave,
A few things to think about is that when coming up with a sequence for a film of this type, one has to make it last longer than it would in reality and for more moves to be incorperated than would be found in anyone actual fight. Too much 'reality' and it becomes hard to learn from what you see, or perhaps don't see <img src="http://www.thearma.org/forum/images/icons/wink.gif" alt="" />.
Regards to footwork. It is not based on any master. Dad developed his approach before the manuals were easily available, starting his work at the begining of the 60's. His approach was to use the weapon and find out how the body works best with it. If you look at,
Body mechanics
Design of the weapon
Clothing/protection worn
Fighters intent
Enviroment.
Yoou can think of what affects the fighter and what they can do and or choose to do. Of course the style you have studied will also be a consideration. Hence his approach and therefore that also of the Guild, it to develop an understanding of the Principles through the relation between weapon design and body mechanics. If one then wants to study a historic master one can, armed with a physical vocabulary under your belt. After all we can only interpret what we believe that the masters are trying to say and we don't know, with many of then how effective their styles were, certainly for people other than themselves.
As to not having seen this kind of footwork in any of you sparring videos, that probably because you not seen someone trained in our method, sparring in those videos <img src="http://www.thearma.org/forum/images/icons/wink.gif" alt="" />
I've not actually seen Terry using his system in anything other than slow, one/two move demonstartions, so can't really say, but I would say that much of what we do is quiet dissimilar if looked at in detail.
All the best

