Yes, that is *a* Schiller, but the schiller is one of those cuts that clearly has a lot of personal interpretation on the part of the masters, from master to master. For example, Meyer doesn't get into the need to strike to the opponent's right shoulder...but Ringeck and Dobringer do. Goliath's presentation of the schiller doesn't look like Meyer's nor is it described quite like Ringecks or Dobringers...it's more complicated than that.
The second item is the definition of the Meisterhau:
1. Closes off the line of attack from his cut and
2. Hits him at the same time
This, I'm almost positive, is a modern definition only. Meyer's the only guy that calls them Meisterhau. Before him, they're just "the five strikes," or sometimes "the five hidden (or secret) strikes."
As we begin to identify our own modern constructs (which are, after a fashion, core assumptions), we can get around the mistakes that they *might* be causing.
Meyer's Schiller is still my favorite--it's the only one that I'm fairly confident that we're doing it the way that the author intended. It's Goliath and Ringeck, etc., that vex me at the moment.
Jake
Sen. Free Scholar
ARMA Deputy Director