Salvete!
Recently I've been doing some reading and have come across some interesting lines in Machiavelli's Art of War. In book two, Cosimo, apparently dismissing infantry, asks Fabrizio how he would arm his cavalry, to which Fabrizio replies that he would not rely too heavily on cavalry, as "lately we have seen them often shamefully beaten by infantry(1)." But what cought my attention and got me to thinking was a paragraph shortly after, pertaining to a battle between the Armenians and Romans:
"Nevertheless, when they engaged, the king (of Armenia) was routed; and the historian imputes the defeat entirely to the little service done by the cataphracti, whose faces were covered in such a manner that they could hardly see-much less annoy-the enemy and whose limbs were so overloaded with heavy armor, that when any of them fell from their horses, they could hardly get up again or use their arms(2)." To me, this sounds similar to the stuff we'd see in a movie or on stage. (I wonder if Fabrizio actually believed the account, as earlier in the same book, he explained to Cosimo that dismounted cavalry, who fought in armor head-to-toe had a major advantage over the poorly armored pike squares and saw great success attacking them with sword/sword and shield.)
So this made me think, is it possible that some misconceptions about armor come from witnesses seeing injured combatants trying to get back up or fight with broken bones or in a dazed state from falling off a horse? Having a little experience myself with being flung from fast moving objects, i.e. dirtbikes, I know that if someone falls the wrong way, even at slower speeds, they can break bones or become very dazed. In a combat environment, is it possible an on-looker might chalk up this lack of strength caused by injury to be excessively heavy armor?
Just a thought on finding some more on why, over time, we came up with the idea that armor was so heavy and awkward. Any thoughts on the validity of this?
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1. Niccolo Machiavelli, Trans. Ellis Farneworth, The Art of War (Da Capo Press, 1965) 52.
2. Ibid 53.
