Stewart Sackett wrote:Jay Vail wrote:I have a hard time beliving you know what you're talking about. The 2-on-1 (which I take to mean that you use two hands on his one arm) is a standard feature of the old methods. By outside, I take to mean you may be referring to the technique that in Japanese is referred to as waki gatamae. There's nothing slippery about that one. It's very effective.
To answer your question, daggers could have been drawn from a clinch. But in the accounts of the 87 knife homicides described in the London coroner’s rolls for 1300-1375, not a single knife was drawn from the clinch. See my book Medieval and Renaissance Dagger Combat, pp. 3-4, for typical accounts.
I work the dagger material at all ranges, close and far away. We spend a lot of time using it close up in a very fast-paced drill where the players are never beyond the true place. The stuff works fine at that range, which is the most dangerous.
I’m not hugely impressed (or concerned) with my own credentials so the issue of whether or not I know what I’m talking about doesn’t worry me too much. I started this thread so that I could post what I’ve experienced, what I’ve been told & what I guess. If those things are wrong then this is a venue for me to learn that.
It has been my experience that I can hold a 2-on-1 with my near arm over the top of the arm I’m holding (waki gatame) but that it’s more secure to hold the arm with my near arm underneath. Strictly from a wrestling/MMA standpoint I’ve always seen the arm over treated as a mistake & corrected by coaches.
Back to history: You say that using both of your arms to control your opponent’s dominant arm is a “standard feature of the old methods” & that in your research there were no historical instances of daggers being drawn inside the clinch. This seems to support my basic theory that Ringen used arm control to prevent the possibility of a dagger being drawn during standing wrestling.
Waki gatamae is a very dangerous technique. It is easy to break somebody's arm with it. That's probably why the sports coaches don't allow it. It's not a mistake. It's for safety.
Furthermore, waki gatamae is not really designed to induce a submission. It is designed to break the arm. Therefore, it is not really a hold and you are not supposed to spend any time there attempting to control him. You are supposed to break something.
In fact, applying waki gatamae and then sitting is banned from judo competition for the very reason that, energetically applied, it easily results in an elbow break. Interestingly, this application of the technique is featured in Fiore. I can tell you from practical experience that it is very effective in all its iterations.
Before you start speculating about whether ringen used arm control to prevent the draw, I suggest you read the sources rather than spin theories. Theories based on guess work are useless. Not only that, they are unhelpful, especially for us, who base our practice of written sources. Fidelity to the sources is our first priority. Filling in the blanks or importing ideas from other systems without a full understanding of the sources is dangerous.
The coroner's reports do not support your notion that the draw was prevented by wrestling. Most of the accounts are depressingly similar: Bob and John were drinking. They got into an argument. John pulled his knife and stabbed Bob. Bob died of his wounds.
This does not preclude the notion that they wrestled first, but I don't think so. The accounts are too much like police reports (and as I used to be a police reporter, I read my share of them). Even in modern day knife assaults, few occur in the midst of a clinch -- although some do. Most, however, are like the medieval killings: one guy standing outside contact draws and stabs the other guy.
In fairness, Meyer gives some advice about what to do when your opponent draws. He says to grab the drawing arm.
When you have to deal with someone who has a dagger about which you are worried, then fall on his nearest hand with the same hand, that is with your right on his right, his left with your left; with whichever hand you grip him, jerk his hand toward it. If he then draws his dagger with the other hand, then grasp with your other hand outside over the same arm that you have pulled to you, and grasp the other arm by the bicep, as shown by the figure <3.10v> on the [left] in Image D. Thus he cannot thrust at you, even if he has drawn his dagger with that hand; you can thus cast him, or undertake another counter.
In sum, grappling is extremely important with the dagger, and grips are executed not only with one hand but also with both hands. Now so that you can have an understanding of this, I will reiterate it for you through some examples.
It does not appear he contemplates a draw from the clinch, although his ideas could be adapted to that circumstance, as could anything in the manuals. Indeed, the ideas of all the old masters could be used in that circumstance, I think.
The only "clinch" the manuals appear to take into account is a collar grab.