Charron test cutting

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John_Clements
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Re: speed and force - study & interpretation

Postby John_Clements » Wed Jun 18, 2003 4:14 pm

Agreed, in fact...I have said publicly (in writing and lectures) that its beneficial for our community for some scholars to focus exclusively on one master one text (such as yourself or Tobler or Tony Indurate, Keith Meyer and others) because by doing so they might see things more deeply than others researching several works simultaneously. This is something done quite often among historians in academia. ….However, there are also others who stress a well-rounded approach that permits insights and relationships to appear through a broad approach to the entire spectrum of historical fencing studies. In this way we discern elements that might be missed and help avoid doctrinaire.

For many of us though, it’s perplexing that students of this subject would presume there is no problem bringing their own opinions and conceptions about swords and fighting (from wherever they've acquired such during their lifetime) into interpreting a particular master’s historical teachings, but to broaden understanding with new insights they would not dare cross compare that material with works by other contemporary fellow masters and period sources on fighting. No one pursues this craft in a vacuum. We all work with certain views and accepted assumptions of how swords work and what happens in personal combat that we bring into our study.

JC
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Bob Charron
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Re: cutting without stepping?

Postby Bob Charron » Wed Jun 18, 2003 4:25 pm

John wrote:
"The historical source material that speak of “strong cuts” must be doing so for a reason. “Strong” is not something easily equivocated, whereas “good ” and “string” would be, they can be subjective after all and speak of result rather than effect, so I think we’ll stick to referring to “strong” cuts as so many of the manuals emphasize."

Strong is strong. Strong is not "crushing", strong is not done "with everything you've got". Strong is strong. Like I said I've seen people who could knock you down with no stepping and only a foot of movement available to the weapon. When I cut without stepping, I still cut "strongly". No problem there. I'm just not going to cut so strongly that I compromise my position or balance. Again, I think insistence on certain language creates an unecessary barrier between students of WMA. There's ways to avoid this unecessary barrier.

"As long as there is no misunderstanding among students that cuts are not motionless (“stationary”), and that many sources stress the crucial import of footwork in cutting strongly then I have no problems."

John, what will it take? Fiore says that some cuts are done without moving the feet. Period, end of story. That's true in Fiore. Therefore students should, quite rightly, understand that there are some cuts that can be done without moving the feet. You cannot refute this in Fiore.

Of course footwork is also used. But again, these blanket statements and exclusionary phrases simply build more barriers between people.

We need to build bridges instead.
Bob Charron
St. Martins Academy of Medieval Arms

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Re: speed and force - study & interpretation

Postby Guest » Wed Jun 18, 2003 4:30 pm

If accounts of Fiore's life can be trusted, HE HIMSELF studied under many masters.
I found necessary to depart from the manual I was on to learn how to inetrpret it, looking at a second and a third manual by a second and a third master and I'm talking about 1700 stuff.
So my personal impression is that looking at manual is good, but you have to make comparisons with other manuals and cross read, it is not easy at times and you get three times questions than answers:(
Carlo

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Bob Charron
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Re: speed and force - study & interpretation

Postby Bob Charron » Wed Jun 18, 2003 4:33 pm

John writes:
"Agreed, in fact...I have said publicly (in writing and lectures) that its beneficial for our community for some scholars to focus exclusively on one master one text (such as yourself or Tobler or Tony Indurate, Keith Meyer and others) because by doing so they might see things more deeply than others researching several works simultaneously. This is something done quite often among historians in academia. ….However, there are also others who stress a well-rounded approach that permits insights and relationships to appear through a broad approach to the entire spectrum of historical fencing studies. In this way we discern elements that might be missed and help avoid doctrinaire."

Two things. This assumes that myself and Christian Tobler and others have never, ever looked at another master's work. Not so. I've taken classes in Ringeck, Jeu de la Hache, Liegnitzer, Huntfeltz, Fabris, Swetnam, Navarez, Silver, Cappo Ferro, I.33, Parkyns Irishi Wrestling, Cudgel, Pugilism, ad infinitum, all from people focused in on those treatises individually. I have gained more than I ever could studying them all by myself. I'm just very careful not to mix and match them, nor to claim one of them is Fiore.

"For many of us though, it’s perplexing that students of this subject would presume there is no problem bringing their own opinions and conceptions about swords and fighting (from wherever they've acquired such during their lifetime) into interpreting a particular master’s historical teachings, but to broaden understanding with new insights they would not dare cross compare that material with works by other contemporary fellow masters and period sources on fighting. No one pursues this craft in a vacuum. We all work with certain views and accepted assumptions of how swords work and what happens in personal combat that we bring into our study. "

While the last sentence is true, this paragraph accuses some folks who you don't name, and again does not take into account that *everyone* I know doing this seriously has taken at least as many classes in other disciplines as I have, and probably more. Some of those studying particular treatises are in fact more well-rounded than those claiming a well-rounded approach. All the facts are needed before making a statement on anyone's experience or approach.

That is common courtesy.
Bob Charron

St. Martins Academy of Medieval Arms

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Tony_Indurante
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Re: speed and force - study & interpretation

Postby Tony_Indurante » Wed Jun 18, 2003 5:02 pm

Bob,
This assumes that myself and Christian Tobler and others have never, ever looked at another master's work.

I don't see that assumption at all. I study Di Grassi quite intently, but I also study lots of other treatises, just not quite as intently. Would you say that you don't study Liberi more intently than the other sources?
Anthony Indurante

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John_Clements
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Re: speed and force - study & interpretation

Postby John_Clements » Wed Jun 18, 2003 5:54 pm

Man, you're being pretty defensive here, Bob. Chill. No one is "accusing" anyone of anything nor is anything being assumed that isn’t obvious from our posts here. I am conversing here. And I am stating common aspects of this study that are true for our subject matter. There are specialists and there are generalists, as you already pointed out. There are advantages and disadvantages to both. So, let’s try to hold this discourse without making it “personal.”

JC
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Re: cutting without stepping?

Postby Guest » Wed Jun 18, 2003 6:41 pm

Strong is strong. Strong is not "crushing", strong is not done "with everything you've got". Strong is strong. Like I said I've seen people who could knock you down with no stepping and only a foot of movement available to the weapon. When I cut without stepping, I still cut "strongly". No problem there.



Bob,

Did you, like, not read the article online here about "fencing with strength"??? <img src="/forum/images/icons/confused.gif" alt="" />

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Re: speed and force - study & interpretation

Postby Guest » Wed Jun 18, 2003 6:43 pm

Bob,

As to the "courtesy" of not making comments about other approaches, please, let's not even go there ----unless you're willing to first go address the nonsense from some of your own colleagues on other forums that's long been directed at John personally and at our ARMA Study Approach. They should be so lucky as to have the courtesy we continually show here in all our forums and which you yourself have been enjoying. I see your post as an unnecessary distraction, an accusation of discourtesy that rings hollow when everyone here is having civil conversations.

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Re: speed and force

Postby Guest » Wed Jun 18, 2003 6:49 pm

Bob,

I'm compiling a list of museums that folks have attended and were able to actually handled antique peices. You said you went to a museum? What museum was it? What peices did you handle? This knowledge is a great benefit to sword scholars that are traveling and wish attend "must see" museums. Eric Gregory of ARMA just returned from Germany with some impressive photos as well as the article by John on Swedan's impressive collection which I long to see.

Am I throwing to many posts at you, sorry, my time is limited as the International Event is next week and I have folks flying in from all over Europe.

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Jake_Norwood
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Re: speed and force - study & interpretation

Postby Jake_Norwood » Wed Jun 18, 2003 7:16 pm

Lets all stop and breath.

Now, lest we lose our focus...
What are the major issues of this thread? It's a long thread and there's a lot of issues, but here's what I see:

1) Cutting standing still. Unless I missed something we agreed that footwork is indispensible to swordfighting, and that Fiore has many kinds of footwork. One option is to cut without moving your feet from place. This may or may not include pivoting or even stomping. We don't know what kind of cut Fiore intends that we do from such a position--a slice, a draw/push cut, a half-arm cut, or a full-power blow (the latter is unlikely, due to the need for real foot movement in such cuts). Whatever the case these still cuts are not the basis of the system, but rather a possible choice from a library of techniques for particular circumstances. Thus the issue is one of particulars and generals. "Still" cutting, whatever our interpretation of it, is clearly a particular-application technique, not a general one, due to the dynamism in combat. Again, these are all points that we essentially agree on, so any further argument about it needs to be something new.

2) One master or many for study. Again, we agree here, whether we want to see it or not. John's post--the one that Bob took offense at--was agreeing to the need for both approaches and that both had disadvantages. Likewise we agree on the fact that all any of us has are interpretations, not the "final word" of Fiore or any other master, so long as (1) what we're doing is within the descriptions set forth by the masters and (2) what we're doing works.

3)Strength. You must use "enough" power. While it appears that Bob and we disagree on how much power is "enough" it's also true that we are not "buffalo." We do agree that a cut has to have significant force to truly damage the opponent. This also touches on the "still cutting" issue, as by-and-large we maintain that a still-standing cut will lack the power of a full-body cut. Weaker or softer cuts have their place. This, like #1, is an area where semantics are masking the fact that we mostly agree and are actually close to reaching an understanding of each other's approach even if we disagree with said approach

4) Confusion about what the ARMA teaches and does. I think this is the biggest issue here. Many of us (Randall , Brian Hunt and myself, at least) have been to Bob's seminars. We went happily and came back having learned something, which has been explored in other threads and shouldn't be forgotten. We know that Bob frequently referenced Vadi, Viggiani, and Silver, and that he isn't studying Fiore alone; he also can't possibly have spent as much time as the "generalists" on other sources because of the time-intensive and very difficult process of learning Itallian and using it to not only translate and interprete Fiore. We have a frame of reference for what Bob means most of the time, and we know that some of the more extreme interpretations of what Bob's said isn't so.

The problem arises that Bob and many others here haven't seen the ARMA approach in action (this is not an attack, but a fact), and so interperet our statements about things like "strength" in an incorrect context...based on (sometimes mutual) ignorance. There's a lot of anti-ARMA mudslinging out there and most of it anymore is innocently (or ignorantly) repeated by those that don't know better but that their teacher or collegue said so. We at the ARMA (not just John C.) are serious scholars and have made significant impact on the community. We are not, as the AEMMA page states "a sparring club," nor are we "buffalo," nor are we uneducated. Many of our number have put significant work into individual masters (David Lindholm and Ringeck, Bart Walczak and Wallerstein, Keith Meyers and Mair, Fabrice Cognot and La jeu de Hache, etc). We have more time spent training "at speed" than any other group that I'm aware of. Likewise our ranks are full of military and law enforcement individuals who spend time studying violence in many forms all the time.

No one is trying to insult anyone else as far as I can tell, but lots of folks are getting uncomfortable. Let's not bolt out of here just yet. In many ways this thread represents the first major discussion between serious ARMA scholars and another school...and it's on our turf! That hasn't happened in some time, and I'd think it a shame if petty and true or perceived personal issues got involved and ruined it.

5) Lastly, as most of us have little or no access to the Getty version, and that leaves us in the unenviable position of having to get our info on it second hand. This is not a good thing, as we're prevented from making a good deal of important points for discussion with only Bob's word and the cheers of a few others. Until we have it, it will be hard to convince us of something without sources that we have availble, just as we will have a hard time arguing against any points (or for them).

So, to actually add to the thread...

What assumptions are we basing our work on? How does Bob's extensive SCA experience play into your interpretation of things--it can't not play into it, just as an Asian stylist can't but help to see things in a certain, well, Asian light. The same is true of languages, philosophy, or any activity. I think that our experiences in sparring and cutting and so forth have colored our opinions very strongly in ways that have been evident throughout this thread.

Bob?

Jake

Edited for spelling, which was awful.
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Brian Hunt
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Re: speed and force - study & interpretation

Postby Brian Hunt » Wed Jun 18, 2003 9:36 pm

Jake,

I think this is a well reasoned and nicely written synapsis of this thread. I like your statements and your arguments. I agree with you about the areas in which people are getting a little heated, and the possabilities for misunderstandings. I also feel that this is a neat opportunity to open some new doors and avenues of discussion for all, no matter the school. If we can all gain something from this, then we are all better off than we were. And isn't self improvement and learning the goal of any real martial artist no matter the school?

just my 2 cents worth, take it for what it is worth to you.

Brian Hunt.
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Craig Peters
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Re: speed and force - study & interpretation

Postby Craig Peters » Thu Jun 19, 2003 1:05 am

John and Bob,

It is probably possible to argue for one side or the other till you're blue in the face. It would seem that the best way to truly resolve this issue is to try it out. People from the ARMA should get together with Bob at some point, and try out the techniques he is suggesting. Try practicing these techniques, and find out whether or not they would work successfully in a fight as Bob describes them.

As far as posts on other forums regarding ARMA members go, it is probably best to let bygones be bygones.

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John_Clements
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Re: speed and force - study & interpretation

Postby John_Clements » Thu Jun 19, 2003 1:09 am

Our objective here in this discourse has ever been to seek understanding and clarification, as well as offer constructive conjecture. If anyone is unused to this kind engagement and sees it as too aggressive in its style or method of inquiry, that’s unfortunate. But there’s no need to defensively play the discourtesy card when we are all being courteous. So, let’s skip it and move on. I find threads that digress into “you said I said you said” are seldom useful dialogues.

The issue many of us are concerned with here is that of potentially misconstruing the teachings of historical fencing texts so that some aspect or other gets stressed out of context. This is something we all endeavor continually to try to be conscious about, of that I am sure we’d all agree.

It’s also of special concern to me that novice students not become confused, and they understand for instance, that not all “cuts” are the same in their delivery or effect, that fighting is not conducted while “stationary”, that cutting strongly requires footwork or motion, that instances of slicing made without stepping do not mean that all cuts can be effectively made that way, and that particular techniques are not always representative of general principles.

JC
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Jake_Norwood
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Re: speed and force - study & interpretation

Postby Jake_Norwood » Thu Jun 19, 2003 1:09 am

Craig-

That really is the only way to be sure that we're on the same page. Hopefully such an opportunity will present itself in the near future.

Jake
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Bob Charron
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Re: speed and force - study & interpretation

Postby Bob Charron » Thu Jun 19, 2003 6:16 am

Tony,

Your point is fair. I want to make sure that it is not assumed that there is no cross-referencing and "liberal arts" education among those who are trying to get the most out of a single master. In addition to study in multiple disciplines under dozens of people who focus on those individual texts and therefore know them intimately, I taught myself the language, read constantly on the historical context, learn the scientific, philisophical and mathematical models they were educated in (extremely important to understanding their explanations), and do drills at slow and full speed regularly. All this is important, and sometimes statements are made which make it seem that I am among a group of people who only study a single volume in isolation, and only do "slow and soft" (whatever that is) work with a sword, etc. I want to make sure this impression doesn't stick :-)
Bob Charron

St. Martins Academy of Medieval Arms


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