What
Makes an Effective Sword Cut?
By J. Clements
What makes an effective sword cut? If by this we mean one that
causes significant damage to the target there are many factors involved,
but they are neither secret nor mysterious. Obviously, the force
of a cut is a factor of accelerating the mass of the weapon to impact.
Naturally, a stronger strike produces a better result.
Compared to a cut the effectiveness of a sword thrust is determined
by a simple matter of how resistant the target is at the point of
impact, how large a hole the blade can produce, how deep the wound
penetrates, and whether a vital region is struck. A cut by contrast
has many more variables affecting it.
Physical strength and size of a swordsman as well as the mass of
the weapon itself all act to produce the needed impact velocity
of a cut. Maximizing velocity in a cut is, in effect, only about
movement through space in a given interval of time. You can't increase
the mass (body weight) behind your blow or the mass of your weapon
either; you can only maximize how much of it you apply toward creating
velocity with your weapon. This is why cutting from the wrist is
not nearly as powerful as cutting from the shoulder, and why striking
by using one arm is not as strong as striking with two (imagine
using a baseball bat with one hand or swinging from the wrist alone
and you can easily understand why).
The physical aspects of cutting is itself a matter of efficient
kinetics. The application of the ideal body mechanics necessary
to cut well at any one instant, though quantifiable, is an art.
It's a matter of the elements of footwork, coordination, gripping
method, arm motion, aim, focus, and follow through --all of which
require practice to perform proficiently. But, all these elements
do is aid in accelerating mass in order to concentrate force (which
is a reason why you can't cut strongly yet slowly).
The
smaller the surface area the inertia of a cut is concentrated upon
the greater the impact effect will be. The sword's edge bevel and
cross-sectional shape both act to optimize this concentration of
force by reducing drag. Hence, this is why you have to aim your
blow to optimally align the edge. The wider and thinner a blade
is, the better it will naturally cut (this is why for instance,
a meat cleaver cuts so much better than a narrow and thick rapier).
The typical edge grind found on cutting blades of Medieval and Renaissance
times was slightly convex that continued directly into the cutting
sharpness. There was very seldom a secondary grind as found on many
modern knives.
The resultant affect of a sword cut will be determined by the resistance
of the target material (such as whether it hits armor, cloth, flesh,
or bone, etc.) and the target's relative motion (whether it is moving
toward, away from, or at a tangent to the angulation of the edge
at the moment of impact).
While it should be no surprise that a sharp sword cuts better than
a dull one, less well understood is how the relationship between
a blade's mass distribution to cross-section is a matter of its
impact inertia and impact friction. Wide blades have more mass and
have a low cross-sectional profile that produces less friction upon
cutting impact. Wider blades are also stiffer by virtue of their
surface area. Whereas thicker but narrower blades are also stiff,
but with their high profiles produce much more friction when cutting
-although are more powerful on penetrating stabs. Swordsmith Paul
Champagne explains, "Different sword types of different historical
periods used different bevel and edge-geometries according to what
they are intended to do, just as the blade shape changes between
a cutting blade and a thrusting one." He adds, "Think
of a sword edge made for cutting as a shape moving through water,
the one with least resistance will be best."
Cutting
damage can be increased by the subsequent application of edge pressure
after the initial moment of contact --i.e., drawing and slicing
(but this action is independent of the initial impact). A
sword blade will also tend to flex somewhat upon strong impact and
this too minutely increases the drag and distorts the edge alignment.
Hitting in such a way to transmit the most force in a blow using
the ideal portion of the blade is a great theory. However, in swordsmanship
the most important thing was training to know where and when to
hit as much as "how." Besides, depending on the range
of the target at the instant of contact a sword edge could impact
with a different portion of its length than optimally intended.
A strong sword cut is also not made by just 'throwing forward'
the point or by whipping the weapon around in a big arc so that
the tip connects against the target, but rather it is made by using
the whole body to place maximum impact on the target with a good
portion of the edge. A laceration can of course be made by striking
on the human body with almost any object (e.g., a car antenna or
even a spoon) provided you have enough velocity behind it --it won't
sever tissue or deeply shear but it will tear and scratch).
Additionally, against the human body swords do not "stick"
nor do muscles "clamp down" or contract tightly upon being
cut. A blade quickly chopping or cleaving through flesh moves too
fast for this sort of thing. We have enough experience from those
in the Third World who regularly slaughter large animals with swords
to know this. Nor does the significant volume of documented accounts
of historical sword combats support such a myth either. Flesh is
very elastic and largely made up of water and while there is afterwards
a shock reaction that helps prevent fluid loss, this would not prevent
the forceful edge blow of a sharp bladed sword from being withdrawn.
As the swordsmasn and sword maker John Latham wrote in 1863, the mass a swordsman can move with greatest velocity is that with which he will produce the greatest effect with. But a light and quick sword is not necessarily the one he can move the fastest. While a light blade can impact with greater speed, a fighter can only move it so fast. The force of a cut is (primarily) a combination of speed and mass. But too heavy a blade moves slowly and is therefore weak, while too light a blade drags through the air and lacks impact weight. The solution is a cutting sword well-balanced between its center of gravity and its center of percussion.
To summarize, a powerful cut results from the elements of a well-executed
motion (the point moving in a circular arc, the hilt moving forward)
combined with coordinated footwork, body motion, speed, strength,
as well as edge placement, grip, focus, and follow-through--not
just from brute physical force or merely a super sharp edge. These
various factors may be among the very reasons why there was such
a thing called "swordsmanship," but not "axe-manship"
or "mace-manship", ect. Cutting effectively with an edged
weapon is, after all, not identical to hitting with say, a stick
or club.
The
varied elements of an effective sword cut are why so many different
blade shapes, cross-sections, and edge bevels were tried out by
swordmakers throughout history. All of this is also why two people
can test-cut with the exact same weapon on the very same target
material and achieve very different results--with one bashing and
knocking it and the other cleaving into or cleanly shearing though
it. Cutting well takes practice. It takes skill. It also takes a
good resilient and sharp blade for best results. Other than this
there is nothing else to it. No need for mysticism. No need for
obfuscations. No need for myth and hype.
Some modern reenactors, lacking experience in handling actual antique
weapons or cutting extensively with accurate reproductions, have
asserted that effective cuts always require a pulling or "drawing"
action commensurate with the blow. While with a straight blade such
an element is an inherent part of any cut (just as is focus, edge
placement, grip, velocity, force, and proper coordinated body motion
to follow through), it is unmistakably not a factor in either penetrating
armor or delivering traumatic concussion to tissues beneath armor.
The sharper the edge, the stronger or faster the blow, and the more
precise the angulation of the impact all make a difference in the
effectiveness of a sword cut. However, there can be no question
that powerful and effective cuts using straight blades are easily
performed without any appreciative drawing or slicing action. If
this were not so we might strike forcibly against a person with
a blunt sword or simple stick and expect not to cause injury. Yet,
devastatingly hard blows can obviously be made that even cleave
through unprotected flesh and bone. Impact forces cause a sword
to change its motion or yield to the blow, and the easier a sword
does this, the lighter the blow will be. This is the fundamental
reason that a very light sword cannot deliver the same power in
a blow as a heavier sword, which has more resistance to change in
motion. This is why skill is integral to cutting well.
Of course, a really good sword even if used with mediocre technique
can often still produce an effective cut, just as an expert swordsman
can at times cut well with even a poor quality weapon. Different
swords were designed to meet different situations, thus they did
not all exist to solve the same problem or cut the same exact things
and hence, were often used in somewhat different ways.
But regardless, all swords are cool.
See
also: Sword
Impacts and Motions