Wondering

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Jordan Norton
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Location: Tennessee

Wondering

Postby Jordan Norton » Fri Nov 24, 2006 12:33 pm

Not sure if this is off topic or not but I had a question. I love the performing arts and wanted to get into an occupation related to it. I just wondered if there were careers based in sword fighting reenactment? thank you anyone
When you want something, the whole universe conspires to help you realize your desire.

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Will Adamson
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Postby Will Adamson » Sat Nov 25, 2006 4:33 am

Not really our cup-a-tea here. Take a look at some of the pages on the website about ARMA's purpose, goals, methods, etc.

Getting stage/screen combat folks to move toward more historically accurate scenes has been a big topic of discussion, but one that causes much bashing of heads against brick walls and rolling of eyes. :roll: Our hope is that someday many of them will come around, but we're not holding our breath.

Now if you want to learn about real fighting, then you've come to the right place.
"Do you know how to use that thing?"
"Yes, pointy end goes in the man."
Diego de la Vega and Alejandro Murrieta from The Mask of Zorro.

Jordan Norton
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Joined: Fri Nov 24, 2006 10:52 am
Location: Tennessee

Postby Jordan Norton » Sat Nov 25, 2006 4:50 pm

thanks. Yea i posted it before i rly started reading all the stuff. Right now i'm not sure wat i want to do with my life and i've just been lookin at a lot of stuff tryin to figure out what i could do.
When you want something, the whole universe conspires to help you realize your desire.

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Will Adamson
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Postby Will Adamson » Sun Nov 26, 2006 3:31 am

We've all been there. I'm still trying to figure that out at 32!

There are very few folks who manage to make historical fencing a profitable career. I think John Clements has been doing this since he was 15 or so. I don't mean to sound negative, but it's alot like the chances for becoming a professional athlete, plenty make it, but most do not.

Even the ARMA members who have published books have careers outside of sword weilding. Many also have jobs or qualifications that they draw on as part of their historical fencing pursuits. Several folks have training in linguistics, history, art, anthropology, archaeology, metallurgy, engineering, video production, law, military, the list can go on and on. Even things like law enforcement and security services can help give perspective on fencing studies, be it practical application of techniques or understanding the basis of some chivalric ideal.

Oh yeah, where in TN because ARMA has several study groups there. I'm not sure about the western part of the state, but there are groups in Tullahoma and Knoxville (sorry if I forgot anyone.) I'm not far the state line either, so pretty much fall into Jake Norwood's personal fief of Tennessee and Kentucky. :wink:
"Do you know how to use that thing?"

"Yes, pointy end goes in the man."

Diego de la Vega and Alejandro Murrieta from The Mask of Zorro.

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Topher D. Scofield
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Re: Wondering

Postby Topher D. Scofield » Sun Nov 26, 2006 5:05 am

I majored in theatre at university and filled up most of my elective credits with stage combat and choreography courses. I used to get into long discussions with one of my stage combat instructors over the lack of historical techniques in choreography and he conceded the point, though was still a little wishy washy about some issues (edge on edge parrying, especially, though he eventually came around on that, too).

That said, it's a prime interest of mine to delve back into theatre and to put together a choreography system that utilizes real techniques. Any movies that come out featuring some "flavor of the month" asian art make it a point to showcase the "fight master" for the film who is often someone from the martial arts community. I think it's time for Medieval and Renaissance martial artists to get their due in this regard as well.

A major problem in this is the necessity to modify techniques so that they read well on screen. I've worked alot in front of cameras performing fights (all in training and workshops, nothing featured) and there are several little tweaks that would need to be done to historical techniques to make them look effective to a general audience.

Still, it's something I want to do... heck, it's part of my reason for returning to the states next month.

Jordan Norton
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Joined: Fri Nov 24, 2006 10:52 am
Location: Tennessee

Postby Jordan Norton » Sun Nov 26, 2006 6:34 am

i want to major in theatre and i'm hoping maybe to go to UT in knoxville. I live just about an hour away. maybe if i get accepted and go to UT i could join that study group or something. that'd be cool, but i got about another 3 1/3 semesters left of high school, so i have time to think.
When you want something, the whole universe conspires to help you realize your desire.

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Gene Tausk
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Postby Gene Tausk » Sun Nov 26, 2006 8:27 am

Jordan Norton wrote:i want to major in theatre and i'm hoping maybe to go to UT in knoxville. I live just about an hour away. maybe if i get accepted and go to UT i could join that study group or something. that'd be cool, but i got about another 3 1/3 semesters left of high school, so i have time to think.


This forum is for discussion of Renn martial arts. We are not high-school guidance counselors.

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