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Jeffrey Hull wrote:I shall explain and clarify![]()
Roy:
Your question is relevant and it is the actual topic which we ought to discuss. Pursuant to that:
The true time of Silver is a universally correct principle of striking, it avails in all situations, armed or unarmed.
Jeffrey Hull wrote: The easiest way to sum it up is hand-body-foot, basically as Silver stated it. It does not conflict with the German or Italian schools of longsword in any way.
Ken Dietiker wrote:Jeffrey Hull wrote: The easiest way to sum it up is hand-body-foot, basically as Silver stated it. It does not conflict with the German or Italian schools of longsword in any way.
Except that I would add that in the [Fiore's] system ... he more specifically refers to movements than actual "stepping". Most often he explains that a cut or strike is performed with a move, meaning some sort of turning movement of the feet (which translates to the hips, shoulders and arms/hands). He describes how one steps or pivots in his three basic turns (Stable, Half and Full). But more importantly he does not use the words for stepping by themselves unless breaking down the specified movement, or turn, such as "step slightly off line with the left foot and then traverse" or using a "stable turn" with the strike. So, from that point of view, Fiore is more oriented toward "moving" with each strike, not specifically "stepping" with each strike.
It may seem like a small difference, but for some it may make more sense. It does for me, anyway, in that ... a step is only a part of the overall movement in a strike ... and how one doesn't necessarily step in every strike but ... moves in one of Fiore's three turns, even if it's a simple stable pivoting on the balls of the feet.
Roy Robinson Stewart wrote:
I can't see that you are correct however, as you imply that one should never step prior to striking, or strike without stepping., even in unarmed combat . .. . . such a rule is a particularly severe handicap to unarmed strikes, as they can be executed much faster than one can step.
Roy Robinson Stewart wrote:For example, a combination of many hand strikes which alternate from the left to the right can be thrown in the time it takes to step once. Also, in such a combination approximately half the strikes will be cross punches, surely you don't want to suggest that the cross punch is universally incorrect ?
Roy Robinson Stewart wrote:Another scenario is where one needs to advance to get within range of one's opponent.. . . . if one has to take a large step to do so, then starting the punch prior to the step will mean that the punch is slowed down to the point where it is useless, as the time it takes to make a long step is many times longer than it takes to throw the punch. . . .
Roy Robinson Stewart wrote:The rule seems more applicable to longer heavier weapons than the hands, and a single weapon rather than two weapons ( two weapons including the two unarmed hands ), but even then surely there will be exceptions to the rule?.
Jeremiah Backhaus wrote:
You keep saying that one can throw a strike faster than one can step,
this is not true.
If that were true then there would never be any kicks in any kind of martial art.
Roy Robinson Stewart wrote:For example, a combination of many hand strikes which alternate from the left to the right can be thrown in the time it takes to step once. Also, in such a combination approximately half the strikes will be cross punches, surely you don't want to suggest that the cross punch is universally incorrect ?
That is not a matter of correct/incorrect. This is also a miscontruing of stepping. As noted before, movement in the hips or the slight movement of the foot would count as a step. I have never seen a fighter throw cross punches without moving their feet and their hips.
Roy Robinson Stewart wrote:
Another scenario is where one needs to advance to get within range of one's opponent.. . . . if one has to take a large step to do so, then starting the punch prior to the step will mean that the punch is slowed down to the point where it is useless, as the time it takes to make a long step is many times longer than it takes to throw the punch. . . .
If you need to step to be in range, then you are out of range for a fight, you had better not be throwing a strike, because you will regret it.
This calls for entering techniques, which are universal in armed and unarmed combat. And then as you enter you should be setting yourself up not for a weak blow, but a strike that will end the fight as quickly as possible (i.e. striking with a step for power)
Roy Robinson Stewart wrote:The rule seems more applicable to longer heavier weapons than the hands, and a single weapon rather than two weapons ( two weapons including the two unarmed hands ), but even then surely there will be exceptions to the rule?.
The true time rule applies to fighting. Armed, unarmed, doubley armed, really long armed. A strike begins and then everything else follows.
Jeffrey Hull wrote:
and the totality of my statements agree him, Silver, Doebringer and (primarily) the kinetics of the fight.
In fact, it is quite congruent.
As AP indicated, there is something faulty about the framing of the question at hand; and I would add, thus some inherent misunderstanding therewith.
I encourage those who seem confused about the matter to really think about the possibilities, to comprehend them, and then to try them and to do them in practice.
Roy Robinson Stewart wrote:It isn't particularly difficult to land 8 to 10 punches per second, but it is impossible to land the same number of kicks, no matter how well one is trained.
Aaron Pynenberg wrote:Roy- what's the deal man, seems to me your original question was answered. Now you seem only apt to use portions of people's comments to enjoy yourself with.
There are fighters..there are talkers...and there are only a few who can do both. I find myself wondering which cat you fit in. I don't think anyone was putting you down by thier comments but simply trying to answer a question to which you asked in the first place.
Your responses I find a little harsh and unwarranted. If you had all the answers to begin with, why didn't you lable your post something like this: I KNOW HOW TO STRIKE WITH A LONGSWORD. Then you could just comment on how much you know about this art.
Sorry if I come off a little pandering but hey man what gives..Jeff H. gave you your answer in the second or third post..it depends....there you have it man, not that great of a question I am afraid-
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