Aaron Pynenberg wrote:well, as a "dead" art, it's pretty difficult at this stage to not be a scholar. You have to have some grounding in the historical sources, otherwise you will loose many valuable insights into what our craft entails.
I agree wholeheartedly with that sentiment for myself, but as I become more familiar with the HEMA community, I am realizing a lot of people are happy to accept and practice flawed interpretations just because someone they see as reputable told them to do it. ARMA's method requires a certain amount of skepticism and desire to prove the art to oneself by interpretation and application.
I also think part of the scholar-practitioner draw is the historical context, the Italian Renaissance was a revival of classical culture that valued a strong mind and strong body. I can say that is part of the appeal for me.