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Postby Webmaster » Sat Jan 16, 2010 12:31 pm

For the record, taking the Lord's name in vain in a post or headline does not constitute "metaphysical nonsense" and is not going to be considered unacceptably offensive on this forum. Religion does have a place in our discussions because it was inseparable from the Renaissance world view and is culturally relevant, but we are not going to tolerate blatant proselytizing or discussions of beating people up without touching them using mystical forces, faith healing, magical spells or other dubious mystical ideas. I don't think I can make it any clearer, so drop this part of the discussion NOW.

As for the rest, if you think a statement sounds offensive then there is nothing wrong with pointing out that the STATEMENT sounds offensive and calmly explaining why and asking for further clarification, but direct personal affrontery will be shut down. Keep in mind that this medium makes it easy for intentions to be misconstrued and make some allowance for misunderstanding and poor choice of words, not everyone is a good writer.
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Postby Roy Robinson Stewart » Sat Jan 16, 2010 1:25 pm

Jonathan Newhall wrote:
Roy Robinson Stewart wrote:Sorry but I find laughing at and mocking the sincere efforts of others simply because they don't do what you do to be arrogant.


And there, you are wrong. I am not laughing at or mocking his efforts because he does not do "what I do", it's because what he IS doing is absurd. Just because it's different doesn't mean it's wrong; I would never tell a practictioner of kenjutsu he's "doing it wrong" and go laughing off into the night because he's using a katana simply because it's not a rapier or longsword or what have you, that would be completely unwarranted and ridiculous.

However, a man with techniques such as these claiming to be teaching "real world swordfighting skills" is frankly laughable and therefore I was doing just that - laughing. I gave credit where it was due in regards to his video on edge-blocks, wherein he claims, quite correctly (making certain to differentiate between western and eastern weapons, even!) that blocking edge to edge is not something you want to seek out if you can avoid it, but on the other hand I also found it humorous at junctures it deserves criticism.

What is arrogant, however,is first of all assuming this about myself, and second of all assuming that just because somebody claims something means that I have to believe it. That man with two swords is claiming several things. They are wrong, whether he is giving it his best effort or not. He does have stances, which he employs contrary to his belief (as Stacy mentioned). Stances do not make you weaker than "not having stances", and properly employed quite the opposite. Two swords does not equal double the effectiveness. It is fact that he says these things, it is fact that they are not true. I find this irony humorous. If you have a problem with that I will note your complaint, but please refrain from name-calling. It's certainly no nicer than what I am doing.



I see your point of view Jonathan, and perhaps after all laughter is a kinder reaction than some are having to the fellow.


My first teacher Grand Master Bobby Taboada says ( as do all balintawak practitioners ) that no fixed or prescribed steps or stances are required and that stepping should come naturally and be 'just like walking'


Should it be just like walking as in it is the same, physically, as walking (in which case I must ask: why are you walking around like you are down the sidewalk during a life or death struggle for survival? That doesn't seem terribly wise), or that it should be practiced to the point that it is, in your mind, as easy as walking, and therefore just like it in that regard?

Further, with no systemized form of motion, how is it even a codefied martial art with certified teachers to begin with? That seems most counterintuitive.



The movements are 'just like walking' as in physically like walking

Just because stepping in Balintawak is similar to walking, and is allowed to flow naturally rather than being formally prescribed at all times, does not mean that there are no systemized forms of motion. As mentioned previously on this forum, the hand movements are so fast that it is not practical or necessary to tie them to particular stances or steps.



That, combined with the mocking attitude to the other martial artists shown here, makes this thread a sad display.


The point is they aren't martial artists, that's why we find them funny. They are posers. Some more than others. The initial video is about what is essentially a sword-dance, which is something many period masters warned about (calling them "dancing masters" and "dancing schools" rather than actual schools of self defense. McDojos were a problem even back then, apparently). This is a distinctly relevant, though perhaps not exactly a NICE, topic.

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I disagree. In my opinion anyone who practices martial forms with intent is a martial artist. There are also historical examples of dance being used as martial training and as a way of preserving banned martial arts.


In my opinion the thread should be locked. I have great respect for the ARMA but threads like this undermine that respect, i'm sure i'm not alone in my opinion, but if I am, so be it.


ARMA didn't officially start this thread, ARMA didn't officially condone this thread, and ARMA didn't take an official stance in this thread. Whatever you may feel about the thread's starter or other posting participants, ARMA has absolutely nothing to do with it at this juncture. If this thread is affecting your opinion of ARMA, it shouldn't, because it is not an ARMA thread.
[/quote]

Yes I see your point here. My mistake.


As a closing, Roy, you seem to have the impression that we are doing several things we are most distinctly not. First, we are not claiming we could "take them in a fight", which seems evidenced as your line of thought by the third post of the thread. Nobody said these men are poor at fighting, necessarily.

However, this does not prevent me from knowing what SHOULD be done, and that such things as were being demonstrated were not it.

And again, in your first post where you call me arrogant you AGAIN seem to misconstrue that there is any objective comparison of their "ability to fight" against mine or any other's. This is not the case. We are, again, only poking fun at people making claims they cannot possibly substantiate and demonstrating skills that are not designed for martial application . .



Although it is reasonable to have an educated opinion on what is and what is not, martially sound, it seems clear to me that the the fact that we choose not to put it to the test via actual combat should imply more restraint in the making of absolute judgements as to marial soundness.

In previous centuries the sort of mocking which has been indulged in on this thread would possibly have led to actual combat, and perhaps it would be wise not to indulge in such mockery now that we are prevented from backing it up with action.


EDIT - Also as a note, if I've said anything unduly insulting or such, I apologize in advance. I was tired writing this and I tend to be a bit rude and blunt when I'm tired. Hopefully none of that has bled into this post too badly.



Thankyou for taking the time to give such a detailed reply, and I apologise for the offensive remark which I made in my previous post


.

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Postby Tom Kinder » Sun Jan 17, 2010 3:23 am

when I contacted KenseiSL I did so politely, respectfully and with an honest desire to exchange ideas. I did state that while I thought he had some ideas right that he also was missing some things and that I thought we could both learn from each other. his reply to my was extremely dismissive and rude. since then I quite frankly have no sympathy for the man. I think it is a shame he wouldn't even talk to me.

it is obvious he has spend hundreds if not thousands of hours practicing what he does, I was willing to give him the benefit of the doubt and see what I could learn from him.

I did want to talk to him about the fact that he DOES use stances despite his protestations to the contrary. I did want to engauge him in intelligent arguement and discussion.

oh well, it's too bad. I think he and I could have gone round and round and even had we learned nothing it would have been entertaining discussion.

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Postby Stacy Clifford » Sun Jan 17, 2010 2:52 pm

Thank you guys for calming this thread down, that's much better. I see this thread is bring up the old question of, "what is a martial art(ist)?" If you look back through the forum archives we've obviously spent all day arguing that subject many times, but when it comes to the martial artist, I would agree with the caution that we shouldn't judge the person on a single individual display, like the guy in the first video. His display is what I would call "partial martial" in that he does show some valid martially sound techniques, but mixed with a lot of useless showing off. Honestly, if I practiced a routine like that I could do the same thing, but that doesn't mean I don't have the martial skills to back it up when you bring the opposition. He clearly understands control and intent and I'd spar him in a minute just to see what he could really do. Of course he could also be "for display only," but there's only one way to find out. The British guy in the second video just sounds to me like a classic case of somebody who has completely bought the hype about the katana and enjoys posing a little too much; who knows what skill he has, the video doesn't show him doing much interesting. The third guy, sadly, sounds like one of the many inspirations for Rex Kwon Do in Napoleon Dynamite.
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Postby Steven Ott » Sun Jan 17, 2010 7:46 pm

Confucious said not to give a sword to man who can't dance. Because of my dancing ability I hope he's wrong. He had descent control of his weapon, but your right this wasn't so much a show of martial abilty as physical control-that doesn't mean he doesn't have martial abilty but that is harder to sell to a crowd than backflips and twirls
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Postby Jonathan Newhall » Sun Jan 17, 2010 10:42 pm

Steven Ott wrote:Confucious said not to give a sword to man who can't dance. Because of my dancing ability I hope he's wrong. He had descent control of his weapon, but your right this wasn't so much a show of martial abilty as physical control-that doesn't mean he doesn't have martial abilty but that is harder to sell to a crowd than backflips and twirls


It was also said (by a similarly respected, though different Eastern figure) "when you meet a swordsman you draw your sword; do not recite poetry to one who is not a poet." Seems related ;)

@ Roy - I'd be interested in any good videos demonstrating the techniques you reference, almost all martial arts I've ever come across put at least a mild amount of effort into designing a properly geometric stepping system (triangle steps for swordsmen, et c.)

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Postby Stacy Clifford » Sun Jan 17, 2010 11:18 pm

I have heard John Clements say many times that the stances and footwork in the Renaissance manuals are based on the most efficient forms of natural movement, like walking, and our new curriculum reinforces that point even more. I would point out that for fighting these natural movements are exaggerated a bit to improve power, leverage and balance, but otherwise I completely agree, and I would have a hard time understanding a footwork system that did not seem like an extension of natural movement.
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Postby Jonathan Newhall » Mon Jan 18, 2010 12:10 am

Well, seem like is true, but literally the same as natural movement makes not so much sense to me. Taking a normal, forward step is, on the whole, inferior to a slightly diagonal forward step in swordfighting in that it does not place your body off line while you strike, for instance. A minor difference, but a key one that your everyday jogging nut wouldn't know about ;)

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Postby Stacy Clifford » Mon Jan 18, 2010 10:52 am

Jonathan Newhall wrote:Well, seem like is true, but literally the same as natural movement makes not so much sense to me. Taking a normal, forward step is, on the whole, inferior to a slightly diagonal forward step in swordfighting in that it does not place your body off line while you strike, for instance. A minor difference, but a key one that your everyday jogging nut wouldn't know about ;)


I think that's mainly because most people today are lazy in their movement and city sidewalks make it easy. I was diagonal stepping all over the place in high school dodging through crowded hallways full of slow people to get to class on time. Try to walk a straight line through a dense stand of trees in the woods or rock-hop across a creek or a boulder field in the mountains and you'll use them just as our ancestors had to. Diagonal steps are perfectly normal when you're negotiating natural terrain filled with obstacles. Footwork like the volta is much less used in the everyday, but you find it often in dance, which most people of all classes took part in back then because they didn't have TV and internet.
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Postby Roy Robinson Stewart » Mon Jan 18, 2010 1:39 pm

I'm barefooted most of the time and have to step all over the place due to broken glass on footpaths. :?

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Postby Steven Ott » Mon Jan 18, 2010 7:17 pm

watching ARMA videos-stances seem low and wide like wrestling or caeoperia stances or perhaps kick-boxing, but the movements don't resemble walking. Unless that is something that has changed under the new method
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Postby Greg Coffman » Mon Jan 18, 2010 8:11 pm

Here I disagree with Stacy. I don't think footwork in RMA should resemble walking. Perhaps this is a glass half empty/half full, all in the way you look at it kind of thing. But I think the body mechanics of RMA are significantly different from walking. The amount of work, training, and exercises focused on footwork that we do in ARMA, and the amount of effort I still need to put into my footwork, alone is enough to convince me that there is a significant difference, more difference than similarity, between walking and RMA. And then there is how what we do, evident from watching our videos, looks quite a bit different from walking.

The wide and low stance in the more recent ARMA videos is a result of particular teachings on footwork and stance that has not yet been made available or announced publicly. I think I heard somewhere a teaching from P.H. Mair of three stances, a high, middle, and low.
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Postby Stacy Clifford » Mon Jan 18, 2010 11:02 pm

Maybe it is a glass half full/empty kind of thing, and I think I could demonstrate why I believe that way in person, but I'm not sure of a good way to describe it in words. However, I got the idea from JC, and I'm pretty sure he hasn't changed his opinion on this subject. I can say that I think much of the footwork is derived from the natural human reaction to the application of force either by you or against you, not just how you move through the everyday world. I might make an exception for some rapier footwork, since I've never seen anybody do an inquartata to do anything except stab somebody.
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Postby Greg Coffman » Mon Jan 18, 2010 11:41 pm

I certainly agree with your statement, "I think much of the footwork is derived from the natural human reaction to the application of force either by you or against you." The way we are learning to step and stand and move in general is designed to maximize the human bodies potential for force, resist force, move with balance, agility, etc., etc. That is why when we see in other martial arts footwork that goes against the foundational principles of RMA we cringe and question the actual martial application of those practices. I think RMA movement and footwork is natural, but not like walking.
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Postby Jonathan Newhall » Tue Jan 19, 2010 12:09 am

I'm with Greg on that - while the footwork may be natural, it is distinctly different from our everyday modern applications of movement. Directing heavy loads and forces through proper weight distribution and footwork in a manner so as to avoid reciprocal harm is just something not many people do anymore, and indeed humans never truly had to do in our natural (sans "invented" stuff) state, at the very least to such an extent. There are similarities and differences, but I'd say that sword footwork is to walking much like running is to walking - a distinctly more advanced and specialized skill though obviously related.


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