Postby Stuart McDermid » Mon Apr 05, 2004 9:55 pm
Hi Karen,
Below is my (likely quite poor) understanding of Bob Charron's interpretation that I have since looked at myself from the manual and now believe is correct. If you really want to know Fiore then beg, borrow, steal and lie your way to one of his seminars. Bob is a great guy who is committed to the study of Fiore's works in isolation from any outside influences. You could learn a fair bit just by meeting him down the pub for a chat.
Anyway, here goes......
This is an instable posture. You don't lie in it.
The primary use of the bicorno posture is to draw the hands back out of the way of a cut to set up a return thrust.
Eg I am lying in the iron gate guard (alber) with my right foot forwards. My opponent cuts out of posta di donna (right shoulder). I pass my left foot forwards and left to parallel with my right foot to get outside the arc of the cut. (This takes serious guts but is oh so cool when it works) As I bring my sword into bicorno to prepare the thrust, I am careful to make sure it points above the head of my opponent to facilitate an easy "falling" return thrust. Whilst I am making this hand movement I bring my right foot back so that I am left foot forward and am ready to thrust from bicorno by means of an extension and/or a short step.
Hope this is clear.
Cheers,
Stu.