Postby Guest » Fri May 21, 2004 3:37 am
If the director is any good and has the time and budget, he'll probably want more than just choreography. He'd want to see an independent story developing within the fight that supplements the big picture and is expressed through the techniques the fencers are using.
Your duty as choreographer is to examine and understand the characters; their attitudes, temperaments, and their significance in the script.
You use this knowledge to motivate the techniques that crafts a story within the fight.
A good example of this would be the final knife scene in "The Hunted". Tommy Lee Jones and Benicio Del Toro square off for one final duel.
It's obvious that Del Toro's character is clearly the better swordsman, but even if he beats Tommy Lee Jones, he knows he's going to prison. He figures it's better if he dies.
So he fights to the best of his ability but the techniques he uses to carve up Tommy Lee Jones are directed to non vital targets, and when there is a vital target available Del Toro carves only the skin careful not to kill Tommy Lee Jones.
This fight heightened the emotional impact of the
Student/teacher relationship, the personalities of each character and their significant roles and relationships with Nature and Society.