Postby Guest » Thu Jul 03, 2003 11:43 am
I have attended two west coast sword symposiums in which Mr. Martinez taught. I did not participate in either class, but I took the opportunity to observe him and his art for the entire class duration. I being primarily a Swetnam and Silver man I was compelled by curiosity to review the Spanish fight, so I purchased his complete set of videos. After working through the videos, I was able to demonstrate the art with my combat group in instruction, then in full on free sparring (Italian vs Spanish). It worked respectably and I was quite pleased with it. Understand that I had only achieved some rudimentary level of proficiency.
Being a purist at heart, I too questioned the authenticity. Although there are sources on the Spanish fight, and I have read several, none of the sources really seemed to be solid enough for me to grasp the essence of the fight.
My enlightenment came once again by George Silver’s Paradoxes. He details the Spanish fight for what it really is: (please refer to the whole section (9) for a more detailed description)
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“But the Spaniard in his fight, both safely to defend himself, and to endanger his enemy, has but one lying, and two wards to learn, wherein a man with small practice in a very short time may become perfect.”
“This is the manner of the Spanish fight. They stand as brave as they can with their bodies straight upright, narrow spaced, with their feet continually moving, as if they were in a dance, holding forth their arms and rapiers very straight against the face or bodies of their enemies, and this is the only lying to accomplish that kind of fight.”
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What I had observed is that Mr. Martinez’s Spanish fight appears to follow Silver’s description exactly. The fundamentals of his art match the fundamentals of Silver’s description. Once I made this connection, I felt joyous that old text seems to collaborate what was being demonstrated by Mr. Martinez. There are no guarantee’s to authenticity, and truly, we may never really know, but to me, it feels right.