Postby John_Clements » Fri Feb 06, 2004 12:47 am
I like your thinking, Shawn.
If we were to assume the images in Fiore’s editions, innovative and exceptional examples of Western fencing art as they are, must be taken as literal, then I think we would have to believe that in executing some of these techniques we are supposed to stand flat footed, legs straight, elbows down at our sides, with swords mere inches from one another faces and pressed flat against. Or that,for example in some wrestling and dagger moves we are to stand with our backs straight and arms relaxed, our faces stoic and expressionless.
I don't think anyone is arguing this, so I must assume students understand that (as Dr. Anglo wrote about) there was obvious difficulty among the artists of these works in their limitations in illustrating three-dimensional movement in two dimensions (to match text that might specify several actions to complete a technique or explain a concept). Depth, angle, and shadow in them do not always reflect real-life so much as convey general understanding of position and action which the reader was already familiar with.
Make sense?
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