If I came on too strong in making a request that false impressions not be given, or accepted, then I apologize for any perceived rudeness, but not for the point I made, which I still stand by.
Aaron,
I simply asked for academic backup for the posted statement and disagreed with it. It then was turned personal and into a big deal by someone else, who directly and undeniably called me names and questioned my character. This is a pattern I have experienced before.
Stacy,
Fiore is my master. He is the teacher I will follow to the finest point I can. The study of his art has led me to studies in Medieval book construction and use, memory systems, martial culture, Medieval academics including geometry, rhetoric, and physics, and to cross-references galore. He is my guiding light, even when dead 600 years. This only speaks to the power of his teaching, and I mislead no one about his being alive or present to teach me. One could construe your post as a snipe, but I will chose not to. I will chose to view it as your expressing a viewpoint strongly (which every single person has a right to), and I will offer my explanation in a civil and kind way. If you choose to think me mad, I can live with that

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Caspar and Jeffrey,
Now you're cookin' ! Vadi does indeed cite the importance of doing this, and while I am not familiar enough with the Merkeverse to quote it, I will trust that Jeffrey is relating it correctly - that is to say the importance of this particular tactic in particular situations. Well done!
Fiore does not, however, in the entirety of his text, make any such admonition to the scholar. Therefore any importance set upon it must come from a very deep understanding of totality of the plays in the treatise. That is something I hope to someday achieve, but that I would not claim at present.
Everyone portraying these texts to fellow scholars and the public should take great care in doing so. We have an obligation to put forward these arts as accurately as possible. The more of the masters' words we can use, and the fewer of our own we employ, the closer we get to portraying and performing the art accurately.
Note here I have done no name-calling, and I remain civil and focused only on the academic points of the question. I am not interested in picking a fight or in ad hominem attacks.